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四川音乐学院学报《音乐探索》2020年第4期目录

发布日期:2021/1/15 11:25:07     作者:管理员

《音乐探索》2020年(nian)第4期目录

       

 

艺术(shu)教育

03  刘立云(yun)、李林芸、柳良/综合驱动(dong)创(chuang)新(xin)  统整彰显特色(se)——基(ji)于四川(chuan)音乐学院“艺术课(ke)程”的(de)统整研究(jiu)

LIU Liyun, LI Linyun, LIU Liang: A Study on the Integration of Art Courses in SCCM

 

10  刘(liu)永福/基本乐(le)科教学(xue)现状及问(wen)题(ti)反思

LIU Yongfu: The Current Situation of Teaching Basic Music Subjects and Some Reflections on Its Problems

 

15  朱(zhu)玉江/当代知识观转型与学(xue)校音乐课程(cheng)范式转向

ZHU Yujiang: The Transformation in the Contemporary Conception of Knowledge and the Paradigm for School Music Course

 

 

新文科建设(she)

23  孙洪(hong)斌(bin)/“新文(wen)科(ke)”理念下艺术复合型人才创新性培养(yang)模式探索(suo)与实践

SUN Hongbin: The Exploration and Practice in the Innovative Mode of Cultivating Compound Art Talents in the Context of “New Liberal Arts”

 

29  康瑞军/“新文科(ke)”背景下(xia)高师音(yin)乐(le)专业学科(ke)建设的挑战与出路

KANG Ruijun: The Challenge and Outlet for the Disciplinary Construction of Music as Major in Normal Universities in the Context of “New Liberal Arts”

 

音乐产业

34  赵志安、曹军军、王毅潇/国家音乐产业基地(di)园(yuan)区评价指标体系的初步(bu)建(jian)构(gou)

ZHAO Zhi’an, CAO Junjun, WANG Yixiao: The Construction of the Evaluation Index System for National Music Industrial Base

 

43  林印(yin)吉/从声音装置艺术作品看(kan)艺术与科技的融合

LIN Yinji: The Fusion of Art and Technology Viewed from the Sound Installation Works

 

48  曾诚/商(shang)业音乐(le)产(chan)品模式对流(liu)行音乐(le)制作教学的(de)影响

ZENG Cheng: The Influence of Commercial Music Products Mode on Popular Music Production Teaching

 

艺(yi)术(shu)批评

 

54  居(ju)其宏/我国歌剧史论研究和(he)批(pi)评(ping)的现状与思考

JU Qihong: The Current Situation of Studies and Criticisms on China Opera History and Some Reflections on It

 

59  陈玲俐/利盖蒂的“静态(tai)”音乐研究——以《永恒之光》为(wei)例  

CHEN Lingli: On György Ligetis “Static” Music: A Case Study of Lux Aeterna

 

70  朱(zhu)为总、朱(zhu)温臣/信仰抉择 人(ren)性光芒——浅(qian)评现代越剧《枫叶如花》

ZHU Weizong, ZHU Wenchen: Choice in Belief and Light of Human Nature: A Brief Review of Modern Yue Opera Flower-like Maple Leaves

 

 

王光祈(qi)研究(jiu)

74  杨晓琴、董一知(zhi)/歌剧还是戏曲(qu)?——论王(wang)光祈歌剧观

YANG Xiaoqin, DONG Yizhi:A Study on Wang Guangqi’s Conception of Opera

 

 

人(ren)工智能音乐(le)

 

82  杨小(xiao)影/“智能+钢(gang)琴教育”初步(bu)构想浅(qian)析

YANG Xiaoying: An Analysis of the Preliminary Conception for AI Assisted Piano Education

 

87  夏一婷、蔡梓丰(feng)/让音(yin)乐辅助大脑休(xiu)息(xi)——冥想音(yin)乐研究综述

XIA Yiting,CAI Zifeng: Resting the Brain by Music: A Review of the Studies on Meditation Music

 

 

民(min)族民(min)间音乐   

 

92  齐柏(bo)平/唐代(dai)“山歌(ge)”的内(nei)涵与外延(yan)

QI Baiping: The Connotation and Denotation of the Folk Songs in the Tang Dynasty

 

99  丁博、杨(yang)曦帆/“整(zheng)体性”考量:从学理方法与区域实践说起——岷江上游地区藏羌多声部民歌研究回顾与展望

DING Bo, YANG Xifan: A Review and Outlook for the Multi-Voice Songs of Tibetan and Qiang People in the Upper Reaches of Min River

 

108  吴志闹(nao)/琵(pi)琶(pa)在当代民族管弦(xian)乐队弹拨乐组中的配器

WU Zhinao: The Orchestration of Pipa in Plucked Strings of Contemporary Chinese National Orchestra

 

 

音乐(le)史学

 

116  陈海、田(tian)可文/论柏林(lin)歌曲乐派的三阶段及(ji)其(qi)风格

CHEN Hai, TIAN Kewen: The Three Stages of Berlin Lieder School and Its Style

 

127  汪洋、董(dong)楚(chu)玮/李(li)树化(hua)在浙江大学(1946~1956年(nian))的音乐活动考     

WANG Yang, DONG Chuwei: An Investigation into the Musical Activities of Li Shuhua in Zhejiang University from 1946 to 1956

 

136  池瑾璟/新历史主义视阈下的【满庭芳】研究   

CHI Jinjing: A Study on the Tune Pattern Mantingfang in the Perspective of New Historicism

 

142  《音乐探索》第(di)三十六卷(juan)总目录(lu)





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